as a person that knows several artists/dj's, i can say that your last line isn't really true. maybe for artists on major record labels tied into shitty contracts, with huge needs for distribution and retail shelf-space; for the biggest mainstream operations, in other words. for the small to medium guys selling a physical record makes them a very decent amount of money - they control the mastering and the distribution themselves, normally only working through one distribution agent. so it's the inverse for the smaller and more 'underground' creative community. take the recent internet fad for 'dubstep' or whatever... where now everyone is into this niche form of dance music. most of the americans as a badge of 'cool' honour will namedrop all these small-time UK guys that are not on major record labels. they'll download and/or rip their music in order to be a part of it. that just hurts the artist themselves, who are hardly sat on a sony 5-year contract. buying physical records (especially vinyl) is a huge way of supporting - and showing appreciation - for the artist.Winston_Churchill wrote:
is the second one physical sales? because i find it hard to believe that digital + physical sales are decreasing.
also: http://torrentfreak.com/artists-make-mo … re-100914/
record sales are a pretty small fraction of what artists make.
besides, what other ways are there? lots of electronic artists don't tour. for an electronic artist, popular today, to make money from 'other' avenues would mean he is forced to learn to DJ - at the very least. which is a completely different skillset and a hugely time consuming one to practice and work on, at that. thus just detracting from what the artist/producer is really about: producing. you see this right across the board in electronic music: producers not being able to get anywhere unless they can DJ and book out a club with their ability to mix other people's songs (attracting an audience on name value alone). similarly how else? you expect every record label and artist to go to a clothing company and devise a line of merchandise? because record sales are just sooo yesterday? again, these people are musicians... they're supposed to be making music, which you're supposed to be appreciating. instead our current consumption patterns forces the pressure on all of our small-to-medium size artists to become a one-man brand. the music suffers.
libertarian benefit collector - anti-academic super-intellectual. http://mixlr.com/the-little-phrase/