you're completely ignoring the concept of an 'audience'. who is the 'reader'? everyone? the everyman? the layman? the educated elite? what is 'education' in terms of reading literature-as-art? what constitutes an 'elite'? some books, yes, unashamedly aim themselves at a literary cabal of well-read and well-versed readers... is this problematic? i don't think so. you have this idea that art should communicate a concept or message to everyone, universally. art has never, ever worked like that. do you really think the abstract expressionists painted on canvas for the average blue-collar worker to 'understand'? do you think the french nouvelle vague film-makers intended for every non-cinemaphile to understand their complex interweaving of allusions and filmic references? similarly, do you think t.s. eliot penned 'the waste land' to be published in the national tabloid and read and effortlessly digested by all? no... i think you are very, very wrong. a book that doesn't clearly explain itself to every reader is not 'stupid', nor is it a failure (by any means) as a work of art. art is exclusive just like any other human endeavour. art has a hierarchy like any human structure. art has an intended and inclusive target audience like any other human (cultural) product.FEOS wrote:
Of course not all writing is to tell a story (non-fiction, for example). But the author's function is to relay concepts to the reader in a way that is accessible to the reader. Otherwise, what is the point? I fully understand and appreciate pushing the boundaries of linguistics, but to be purposefully difficult just because you can, rather than to use it as a mechanism to relay the desired point, is...well, pointless.
libertarian benefit collector - anti-academic super-intellectual. http://mixlr.com/the-little-phrase/